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“Madam Versiliplex’s Magical Wonders” – Out of the Box #34 D&D Encounters

Night HagIntroduction: I’ll bet one of the most commonly asked questions placed at the feet of any Dungeon Master is, “Is there a place where I can buy magic items?” This might have been a common occurrence in past editions of D&D, but Fifth Edition has limited access to a magical marketplace. That’s not to say they do not exist, nor can one never find purveyors of such rare and wondrous items. Far from it. But the danger in dealing with such a market bears the risk of trying to prove its own economic worth. Rare components, or those gained through dangerous tasks, would make most proper magic items either impossibly expensive or priceless. Those that might be common enough for sale would be overpriced due to their difficult creation or high demand. It truly would be a seller’s market.

This encounter would be for those brave DMs who would wish to rise to that question with an even more difficult bargain. For those familiar with such works as “Needful Things” or even Pixar’s “Brave,” a shop might well exist to address the player’s needs. The answer to the question “Is there a place where I can buy magic items?” might be “How bad do you want it?”

For your possible use, I present Madam Versiliplex and her Magical Wonders.

Environment: Anywhere. You could make this a small shop in a city, or a cabin in the woods.

For the purposes of versatility, I have made this a horse-drawn wagon.

Suggested level: Any, but for those who wish to take on Madam Versiliplex, level 5.

Description: Perhaps the players are seeking someone who deals in magical wares, or even more suspiciously, are just discussing where to find such a place. At that time, feel free to have a local unnamed peasant wordlessly direct them to an approaching oxen-drawn cart.

The cart will be drawn by a single ox – the bell hung from the yoke below its neck loudly clanging to the rhythm of the beast’s stride. The cart will be an elaborate affair. Constructed from wood with simple wooden wheels, it will have several strings of bone, crystals, and small bells hung from a low arched roof. A lamp hangs from the front and another from the back, both giving off an eerie green glow. Tiny wisps of smoke trail into the wind from each lamp. The walls of the cart are covered in sun-baked paint peeling from wear and neglect. A single window, tightly shuttered, marks each side and the front of the cart, and a small metal stove pipe trails white smoke from the ceramic-tiled roof. Painted in elaborate, yet faded colors are the flowing script-like words in Common: “Madam Versiliplex’s Magical Wonders.”

A single small door allows entrance. A knocker in the shape of a grinning child’s head biting a loop, bids you welcome.

If the characters approach, the cart will stop and allow them to draw near. The door will remain locked until the characters knock. If they knock with their hands, they will have a wait of at least one full minute. If they use the knocker, each knock will sound thunderous inside – like a massive empty room lays beyond. When they knock three times, steps of wood will unfurl below the door as if made of cloth. The click and clack of several locks will be heard beyond the door, and then the door will creak open.

Night HagGreeting the characters will be a small Gnome woman of great age. Her white hair will be long and tied in a massive bun. The gnome will be adorned with tiny bones and gold chains with delicate charms. Red robes covered in sigils are tied about her waist with a belt heavy with pouches, vials, and scroll tubes. Her arms hang with many bangles, and rings decorate every finger. A rat, its eyes reflecting red by torchlight, pokes its head out of her robe to peek at the strangers.

“Ah, my curious little children. I wondered when you would finally come. Come in, come in.” She will beckon them and offer tea. When the characters enter, what will unfold might be surprising. The interior of this tiny cart will be a 20’ x 20’ cabin. A roaring fireplace adorns the far wall with a large pot happily bubbling along. Shelves line the walls, covered in books, scroll tubes, and dusty bottles. A suit of armor stands quietly in one corner while a dusty rack of  melee weapons stands in another.

A large round table sits in the very center of the room surrounded by six chairs, and a rocking chair sits beside the fireplace. In the center of the table sits a large, sealed, glass jar filled with a smoky, swirling fluid or gas. The table rests upon a fat, wooden barrel instead of legs.

The place smells of wood smoke, tallow candles, and fresh bread. The taint of mildew and sulfur are also present.

She will greet them and be very inviting. Madam Versiliplex will listen attentively to the party’s needs and concerns, and will offer hot tea to those who wish it.

But always keep this one fact in mind:

D&DMadam Versiliplex is a Night Hag who has polymorphed into this Gnome guise to throw off suspicion. She is cunning and experienced, and will not reveal her intentions until she has the players truly hooked. If they ask for simple magical wares like Potions or Scrolls, she might have a few on hand. The first couple of Healing Potions might be a little more expensive than normal (say, 1.5 times regular cost). If the players cannot afford them, then she might offer a deal. She’ll be willing to trade potions and such for simple tasks. She might claim a local magistrate has been taxing her unfairly, so she only has a few items to spare. If that magistrate’s bully son were dealt with, maybe she could be more generous. Or perhaps she’ll claim wolves are harassing her ox. She might have a special bait for the wolves to eat that will make them stop attacking the local cattle. Feel free to invent your own task.

But the task should have a twist. The magistrate might well be unreasonable, or have a bully son, but perhaps they are trying to find out more about Versiliplex. She cannot allow this, so she’ll set up events so the “offenders” fall victim to a tragic “accident,” likely when the player characters are present. Her pet rat, Skek, is actually an Imp familiar, so he’ll work behind the scenes while Invisible to track the players and set up any accidents. Perhaps Wolves are actually attacking cattle. But her bait will transform them into Death Dogs and they will then begin to ravage the countryside. Should the players track down and kill the Death Dogs, they’ll still have to somehow deal with any who have been diseased by the Death Dogs. Versiliplex might have the cure … but there’s this thing she needs you to do … These are but examples.

The following items are in the shop. Each will have its own complication as noted under the item. Versiliplex will warn the party that everything is either older or has “a personality” due to former owners.

D&DPotions of Healing – Five in stock. Versiliplex can make more after a few days. These will heal like normal Potions of Healing (2d4+2 hit points), but for every one consumed, similar potions from other sources will work less. For every one of Madam Versiliplex’s healing potions drank, remove a cumulative -2 hit points healed from other potions. For example, if you’ve drank two of her Potions of Healing, then you heal 4 fewer hit points from the next Healing potion that’s NOT made by her. This effect ends with a Remove Curse cast upon the drinker.

Potion of Ogre Strength – Only three in stock. This potion acts like a Potion of Hill Giant Strength (page 187, Dungeon Master’s Guide), but with only a Strength boost to 19 instead of 21. The effect lasts for 1 hour like other potions of this type, and has no boosting effect upon a character whom already has a Strength of 19 or greater.  For every potion of this kind drank, the imbiber must make a Constitution saving throw with a cumulative -1 per “Potion of Ogre Strength” drank to resist the desire to each raw flesh. A character who fails will be driven to eat anything raw (insects, small animals and the like. If a character gets to the point where they fail a saving throw and the penalty is -5 or worse, then the character becomes cannibalistic until a Remove Curse is cast upon them.

Goggles of Night – one in stock. For this item, Versiliplex will need a task performed that is equivalent to stealing an item from one innocent victim and “returning it” to another unknown innocent victim. She will be adamant about the player not being discovered. She’ll claim the item was wrongfully taken and she would like her friend to get it back without violence or further embarrassment to either family. Her plan is to reveal the item and start both families fighting with each other — likely leading to someone being beaten or killed — if she has her way. The player’s will not know this or be told of it willingly. Furthermore, the Goggles carry an additional property: Madam Versiliplex will see everything that the character sees. Otherwise they work like standard “Goggles of Night” (page 172, DMG).

Spell scrolls – For the list of spells available, see page 176 of the Monster Manual under “Coven Spells.” Madam Versiliplex will claim her list of spells is limited and her resources have been depleted over time. These are all she has left, she’ll say.

Plate Armor, Mariner – This suit stands in the corner and, although dust covered and neglected, it bears fine engraving and looks well made. The design of a giant squid covers its breastplate with engraved tentacles spreading to the arms and the legs. The suit acts as Mariner’s Armor (page 181, DMG). Madam Versiliplex will claim that “she can’t possibly part with it” and will take some convincing …which is all a ploy, of course.  She will demand some silly price for the armor, like 5000 gp, but will allow herself to be talked down to half that amount. She will then carry on like the suit was meant for the character receiving the armor, as it fits so well. Furthermore, once donned, the armor will refuse to be doffed. It will take a Remove Curse to get the armor off. Once it’s on, the wearer will be Vulnerable to Fire damage and at Disadvantage to resisting any effect that has a Fire component (Fireball, Burning Hands, extinguishing Alchemist’s Fire, etc.)

Longsword +1 – One of the many weapons on the dusty rack is this enchanted sword. Madam Versiliplex will be very resistant to parting with it, but may let it go for a successful Persuasion check of 20+ and a bribe of 1,000gp. She’ll claim a dangerous beast has been lurking about the area, terrorizing the populace, and she intends to use the sword to slay the beast. If a character volunteers to do so for her, she’ll let the sword go for half the price. The beast she’ll want slain is actually a local Druid in Bear form that she’ll claim is a lycanthrope gone mad with an ancient curse beyond her ken to cure (use Druid from page 346 of the Monster Manual).  Should the character or party fail to kill this Druid, the sword will animate as per Flying Sword and attack its former wielder (Animated Object, Flying Sword, page 20 of the MM).

D&DMonsters: Madam Versiliplex – Night Hag (page 178, Monster Manual)
Skek – Imp (page 76, Monster Manual)
Animate Armor – page 19, Monster Manual
Flying Sword – page 20, Monster Manual

Rug of Smothering – page 20, Monster Manual

Treasure: See above for “treasure.”

Complications: The items all have their own, as do the associated tasks. Versiliplex will wish to have as many complications as possible. Keep in mind it is always Madam Versiliplex’s intention to have the characters gain these items if they want them, but she will make them think the items are more precious than they actually are. She’s a very long-lived Night Hag with centuries of experience in lying, manipulating and duping mortals. When the players are in negotiations with her, do NOT prompt them to make Insight rolls to tell if she’s lying. If they OFFER a roll, by all means allow it. The DC on any Insight check against Madam Versiliplex’s deceit will be a 20 to know something’s up. To know that she intends harm to them will be a DC 25. This is quite high, but this is her con, and she’s played it well for over 200 years.

Should the players wish to attack the Hag in her wagon, she will not be alone. Not only is her Imp “Skek” always with her (unless it’s spying on the players), but the Armor and the Sword will animate as per Animated Objects (pages 19 and 20 of the Monster Manual), and the carpet on the floor will also become a Rug of Smothering (page 20 of the Monster Manual). Her first action will be to go Ethereal and escape, letting the Animated Objects fight in her stead. The wagon itself is her “Hag Vehicle” (Volo’s Guide to Monsters, page 56), and obeys her commands. The Ox is there simply for show and is pushed along by the cart. If the Objects are defeated and the Hag is not within, the wagon will also go Ethereal, leaving the characters behind.

Madam Versiliplex will simply gather her forces and move along to another place to “sell her wares.” She may take the time to harass the party through her “Nightmare Haunting” ability. Pick one character at random and have her target them, unless one particular character was very pointed in dealing with her. In which case, that character will be the target of her Nightmare Haunting.

New DM Handbook: An Introduction

Welcome to my new series, ‘New DM Handbook.’

DMI know it’s a weird name, but it’s way better than “My Journey as a New DM, the Lessons I Learn Along the Way, and a Guide to New DMs and Players from Someone Just Like You.”  Plus, it’s a lot shorter.  If “New DM Handbook” is still too long, NDH will work just fine.

Straight to the point with D&D

DMMy goal with this series is to chronicle my exploits as not just a new Dungeon Master, but as one who is almost completely new to the hobby. Veterans to Dungeons & Dragons who provide insights for us inexperienced players are invaluable, but decades of experience can become overwhelming for those just trying to figure things out. There’s so much D&D history which experienced players draw on. So many kinds of mechanics, and so much lore. There’s multi-classing and optimized building. There are endless experiences to draw from.

Why We Game: D&D, online gaming and real life

World of WarcraftIt’s crazy how many people I know who would be so freaking fun and amazing at playing D&D and they don’t even know it. There is always the usual self-doubt about not knowing or fully understanding a game, and there is the matter of time and space away from everything, ie. phones, family, work, chores, etc. Most of the people I know who would be great at it and don’t even know are usually self-doubters much like I was before I started playing. The idea of starting a new game can be quite an uncomfortable situation and one that often leads many to fleeing the hobby altogether.

“Phoba’s Bet” – Out of The Box #32 D&D Encounters

Introduction: The following encounter takes on two challenges. First, it addresses an issue that has been monster medusa out of the box   brought up around multiple tables where a DM seeks to have some sort of  bounty hunter or assassin. Perhaps this is to address some offense the player characters have created against a king, noble, wizard to guildmaster. Perhaps it’s to address some action that the player characters have done in a city where vital laws were broken.
  Second, it looks at the unique issue of adding player character class levels to a monster.. The DMG touches on this, but really leaves it up to the individual DM to make the final call on how the CR of the monster is affected. This starts on p. 273 of the DMG, and stretches all the way to 283 before it addresses “Monsters with classes”…and yet, as you refer back to those 10 pages. In the end, they call it a case by case.
  I think the secret here is asking yourself “What do I want this monster to do?”, and then build for that purpose. To that end, the purpose is to be able to capture player characters in a dramatic fashion, and return them to the “employer” (be it king, criminal boss, or angry mob) alive…or at least relatively.
  Environment: Anywhere. That’s the point. But the example below will be in the wilderness.
Suggested level: 5-7
 Description: To properly set this encounter up, one needs to put the players in the right frame of mind.monster medusa out of the box Players can become very complacent when they do not have random encounters at night for a few nights. Go out of your way to make things very peaceful and calm if you want to. Make fake encounter rolls that don’t count and gloss over them as if you’re unconcerned. This will give you a great feel for who they put on watch and when. Consider this time that the bounty hunter is spending observing the party at a distance. She might even be “handling” those who might be thinking of attacking her valuable bounty. One can’t collect on a fee if one’s targets have been killed by Ogres. 😉
  Next, it’s good to think of whom you have selected for the role of Bounty Hunter. In this case, I present to you the one and only Phoba. Phoba was an experienced Rogue, who tricked, seduced, lied, and manipulated her way across the continent. However, she stole from the wrong temple and was transformed into a Medusa. Making the most of her curse, she takes bounty after bounty in the hopes of earning enough to find a cure for her condition – and she doesn’t care whom goes down to cure that effect.

New DM Handbook: My Philosophy on Mechanics

Introduction

Integral to this series is my initial philosophy on how to run my D&D games.  In all honesty, I have no handbook philosophy machanics idea how to run a game without breaking it.  For a vast majority of it, I’m not going to stray very far from the books, but I also recognize that 5E isn’t perfect, and it doesn’t fulfill all of my needs.  As an example, I intend on being somewhat flexible with the Backgrounds, as is necessary, but really only if none of the preexisting ones don’t fit the character concept.  Beyond that, my DM cornerstone is going to be if it’s logical.

Does it make sense?

My foremost directive when applying any decision or rule is if, as I just said, it’s logical based on game mechanics, my lore, and whether it makes sense.  As an example, according to the rules, the Ranger Beast Master must use an action to give their Beast Companion (different than a pet) a command whenever they want them to perform an action.  That follows the rules of how a Beast Master works, but it doesn’t make any sense.  If every round is six seconds long, that means that the Beast Master makes a command, the Beast Companion follows the order, then sits back down without any command to stay. handbook philosophy machanics handbook philosophy machanics

When was the last time an attack dog stopped attacking before the target is dead or down without a command to do so?  Common sense would dictate that the Beast Companion would continue their last order until their target is dead or a new order is given.  Without any kind of real-world experience, the balance in my mind is that the PC has to manage the Ranger and the Companion.  If they’re not careful, they could be put in a situation that one or both are at risk to die.  A smart DM would maneuver them to force them to choose between their Ranger and their Companion.  That makes the most sense to me.

Logical Settings

“Fire for Effect” – Out of the Box D&D Encounters #30

out of the box encounters hobgoblin  Introduction: One trope in D&D that needs work is the concept of the encounter as a “one thing shows up and does one other thing.” There should be no reason why, unless otherwise specified, that multiple monsters of similar alignments and motivations would not work together.
Similarly, if these creatures work together more than once, they should have some sense of how each other works as well as their strengths and weaknesses. Grouping like-minded individuals might turn what would be a typical encounter into something a little less predictable.
  The following is one such encounter where two monsters, tactically minded and ruthless in combat, work together to create a small fighting force that would be dangerous to deal with, especially in a confined setting where collateral damage is something to consider.
As an example of this, I am presenting two races that fit the bill – Fire Giants and Hobgoblins. Both love war, are tactically sound, and would likely work in concert to achieve a goal. Both share the Lawful Evil alignment, so you can expect them to behave in similar fashions and seek similar solutions to the same problems.
  In the correct environment to add complications, and you have a problem that needs to be solved – quickly! The introduction of this encounter might well be used as a doorway to start an adventure, so this could be the start of something larger.
Environment: Urban/Small Town
Suggested level:  10
D&D sorcerer

D&Dize – Dr. Strange Sorcerer Supreme

MONK: Way of the Four Elements

I chose monk because of the martial training that he’d need to use to understand how to unlock his chakra’s and the like. Also, some of the abilities that that he has are magic’s that come from within him, hence the use of “ki”. Remember in the Marvel Superheroes RPG where magic was divided into:

  • (P) Personal = magic that is without incantation, somatic, or material components, but taxes that user. Ki works well for this.
  • (U) Universal = Power that comes from using the residual magic’s around the area. They require free use of hands and speech and possibly a component. I like Wizard for this.
  • (D) Dimensional = These abilities require the entreating of a cosmic entity who is “composed” of magic, who can use “all” magic as personal magic because, unlike us, they are inherently composed of magic. Anytime Dr. Strange would call on the Hoary Hosts of Hoggoth or the Flames of the Faltine, or the Crimson Bands of Cyttorak, and so on, these would be Dimensional spells and they take just a little longer to cast but they are tremendously powerful and they require a full incantation AND the use of somatic gesture AND good-standing with the entity being called upon. I like Warlock for this.Dr. Strange Dormammu monk

Level 18 as a monk is insane, I know, especially for a guy who doesn’t often engage in hand-to-hand. I rectified this by making his strength and dex low so that, no matter how much damage he can do with his hands, he has a low chance of hitting. Even if he does hit and do all that damage, fine, it’s magical damage anyway at that level of monk, so it can be passed off as a “contact spell”.

I like 18 for his Monk level because all the benefits that you get from Monk at 18th level, he actually has. In the comics, he battled Mistress Death and is immune to all earthly disease and poisons and he is now extremely long-lived. Just as his mentor, the Ancient One (who lived for 500 years), Strange can be killed, but he will age at a very retarded rate and cannot be affected by aging spells. He can dispel magic’s, magically speak any known language, and the Deflect Missiles ability can be explained by one of his eldritch shields. Lastly, for Monk, is the level 18 ability to attain the astral form without spell components. Yeah, that’s him.

WIZARD: Abjuration

I really like Wizard for his Universal spells because they fit perfectly. It’s based on his intelligence and if it’s a high or low magical realm then his spells will be affected accordingly. More than this, Dr. Strange is quite powerful, but whether he outclasses his opponent or is outclassed, like his earlier battles with Baron Mordo or with entities like Dormammu, he usually wins by out-thinking his opponent. He is always able to give himself the time to defeat an opponent by holding them of with his defensive spells until he finds the perfect spell to take out his opponent non-lethally. This is why I chose Abjuration for

“Council of Three”- Out of The Box D&D Encounters # 28

Introduction:

out of the box encounters basilisk

SONY DSC

  This is yet another dungeon-based encounter. It uses spells instead of monsters for it’s basis, and provides a minor puzzle. Depending on how this goes, the players could receive a boon, a trap, or even a future adventure. To be fair, since everything in this encounter is completely based upon player choice, they are truly in control of how good or bad this goes. This will be player agency in action.
  An encounter like this might give a DM who might be running a lot of combat-based encounters a chance to switch things up a bit. Mind you, if they set off the trap in this encounter, they might get the sort of combat they might be looking for.
Environment: Dungeon
Suggested level: Any
  As the characters enter this chamber, they will be struck by it’s ancient and ritualistic feel. Ancient carved reliefs decorate all of the walls, and depict several scenes. (I see them in an ancient Mayan or Aztec style, but feel free to use whatever fits your campaign). When you enter this chamber, you enter a long and rectangular room. Your entrance is in the center of a 20’ wall, and the room extends out from this entrance to a distance of 40’. A raised stepped platform occupies the furthest 10’ of the room. Upon this platform is a stone plinth with what looks like three heads upon it.
  Should the players choose to examine the carved reliefs on the walls, allow them a relatively easy Investigation (DC: 10) to discover the following:
  The left wall depicts scenes of ancient figures in tribal garments. They are kneeling with hands raised upward. Rays of light or energy beam down from above upon them.
  The right wall shows figures in tribal garb cowering before an oversized figure wearing an elaborate feather head dress and wielding a massive saw-toothed blade. A halo of blades hovers above the head of the oversized figure.
  The far wall behind the plinth shows a depiction where tribal figures worship some sort of small sphere.